Wooden Playset Blue Prints

THE NATION - April 14, 2009 by SOFIA COLETTI

Dresden Milena Velba

ZoeTeatro in Malacorte

Where are the actors after the show? remain trapped inside their costumes or rush to join the profiles of our crowded city? And the masks? The tricks, hats, wigs and costumes, they stay there in the darkness of the room, waiting for someone to give him back a bit 'light? Or is there a space, a place where they continue to gain attention and in some so, in so doing, continue to live? Maybe. Maybe for some remains part of something. An audience, sharing the game play, refers during the show, tensions, anxieties and joys consensus, over the representation inevitably crumbles into a thousand particles, a thousand people, each with their own testimony, mood, sensation. This, henceforth, the fragment will be individual they can relate to infinity. Of course staff, incomplete, in flux, where the masks still claim some 'space, tripping bright in images and individual perceptions that once settled, create opinion. This is exactly what we like to talk after witnessing the performance of the company that has ZoeTeatro presented his latest work, Malacorte. The show, written, directed and starring Michele Bandini and Emiliano Pergolani happy with the incursion of Claudio Bilotta, is produced by the Teatro Stabile Umbria with the support of ETI - New Creativity . Keep it up, after Quartet shadows Metal 2005 and 2006, the collaboration of Stabile Umbria Foligno with the young company. Confirmation required that the two projects, Pergolani-Bandini, a true leader of theatrical umbra. If the first two works, the state suspended indefinitely, served to catapult into an afterlife ( Quartet shadows), or deal with a mythology ( Metal ) that it is beyond a close relative, here the game is very different. Paradoxically, the more real. There is a King (Michele Bandini), minister (Emiliano Pergolani) and Cook (Claudio Bilotta). A court that played in the massacre. Freed by the people, by the subjects to which there remains that shut themselves up inside four walls and pull a living. And here comes into play that the theater. This game is very perverse, that throws sparks of life, even where there is more. A theater that creates a short circuit, called a hero and raised to a witness, to retrace a court life, bad, bored, which is not that self-destruction. A game to the power that hides fears are not addressed, prevarication on the other, empty of purpose. Excellent scenic solutions and functionality of the lighting design created by Mirco Duvalloni that played off by degrees the light and the life of the three. And so the death of the protagonists of the final, is not that the happy ending, so to understand the power of a century just past, that only the theater, thanks to his fiction, can unmask. This is a bit 'sense of dark and grotesque Malacorte . A clarity that accompanies the entire show, where the company locates ZoeTeatro one by one in the rubble of a century left behind by drawing a sharp line, an absolute zero, from which will be the first to have to start. A back to square one where suddenly the masks we did not know their fate, they find their way to continue living, to an elsewhere that we will survive and still to pursue.

Tips For Dishwashing At A Restaurant

history of violence

I read this morning on the titles on the internet that there was an earthquake in the Abruzzi, it seems that an experienced civil protection abruzzeze had issued a warning a few days ago, but had not been heard because nothing happened immediately, the same technician was reported and "defamed" via print, more than 150 dead ....

then open the local newspaper in Salvador de Bahia and I read an article about the shooting deaths in the metropolitan region of the Bahian capital at the weekend, 12 people died ....

We need to do in this selfish and violent world? peace? faith? respect? social and economic balance? a policy and honest politicians?

course of all this, but stesso anche di noi, che non possiamo non dobbiamo accettare impassive and degrade il sociale delle nostre città .... riflessione it remains within di noi.

riport DI L'seguite INIZIO dell'articolo SU SALVADOR

Metropolitan Region has recorded 12 murders over the weekend (Samuel Lee, of The Morning) - Twelve murders were recorded by the Police Telecommunications Center (Centel) in the Great Savior the period between Saturday and Sunday night. In the same period, were not made any arrests of suspects of crimes. Police said two victims - Valdinei Conceição Santana, 19, and Ronaldo Souza de Santana, 18 - assaltavam onibus by micro-um rede de transporte alternative acabaram baleadas na cabeça por um que passageiro reagiu à investida, das 23h30 de Sábado por time. Continued ...

Translation: Metropolitan Region, 12 DEAD IN WEEKEND - Between Saturday morning and Sunday night at the headquarters of the police of the Great Salvador (to indicate the city and its suburbs) has recorded 12 homicides. At the same time, no arrests have been made of suspects of any crime. According to police, two of the victims - aged 19 and Santana Valdinei Ronaleo Souza 18, were attacked a mini bus and stone were hit by gunshots to the head of a passenger who responded to the robbery, were to 23:30 on Saturdays. Continue as I have reported only the beginning of the news ....

Hacker De Materialpara O Ogame

The people have no bread? Let's give the brioche, by and with Filippo Timi

Filippo Timi back to Perugia. Repatriates almost identical to how we left. Always ready to get involved, take into around himself, his foibles and insecurities, then focusing on those of the "unfortunate" that capture his attention. With The people have not bread? Let's give the brioche, produced by the company "Saint Rocco and Garrincha, the show sees our" Wire "attempt in the double role of actor and director (signing up for the first time his work, accompanied for the occasion by Stefania De Santis). The representation, surreal and unconventional, uses the tragedy of Hamlet and mask to use as a (pre) text, and then steered it toward something else. Rather than a vengeful Hamlet rightly, Timi, a Shakespearean character is the hero tired of the cliches that have saddled, fed up of having to return every night on stage wearing the usual customs. He wanted to do something else, being able for once to play down their own destiny, take themselves less seriously, to stay with his friends and his women. Already, women in Timi-Hamlet. Will own the latter the main protagonists of the show. Are true and beautiful women surrounding the actor's "Bridge". Constraints induced hysteria, but what they feel confident, find support and complicity in the understanding of this particular Hamlet. Conscious of their thickness, will live and disentangle between a fun meet for itching sexual affirmation of profound consciousness of their identity. This will bring in a succession of Marilyn Monroe (a charming Marina Rocco) happened a little 'there by accident and killed by her own narcissism (recall the suicide of the heroine shakespiriana Juliet, died due to poison originated from just won the Oscar statuette) , a mother (Lucia Mascino athletic and convincing in the role of Gertrude, Hamlet's mother), through un'Ofelia (a beautiful and witty Paola Burr) who won their fears, by, the English, will be innocent and sly, like true love. Timi We like this that never ceases to experiment, to enjoy the renewed attention, putting professional maturity in the service of their curiosity as a child. He knows who and how to invest the actor Umbria. And these days confused and confusing, there seems little.

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