The artist who does politics. The theater that is politics. The actor who does politics.
Ascanio Celestini, makes fun of all those intellectuals entrenched behind their 'iron curtain', bringing to light simple testimony, personal narratives, stories of men "normal" manage to raise a collective memory. Among nomenclature, servility and barons of the left and fascist arrogant ignorance, the Roman actor tries to draw a third road. That awareness and memory. Rome and its neighborhood. The tragic events in the capital at the end of World War II, its historical time. Following in the wake of that tradition of oral literature, which draw from the endless baggage, Celestine tells people become characters. Of his father. Of a stupid war. The tragic events that occurred during those years. Narrates and takes us. Inside the temple. Within a Tradition. It focuses on the concerns, paradoxes, analogies between that time and ours. Find similarities. Starring arrogance and the like. same fears faced with infertility arrogance. Churches condescending. That time is slow to appear remote. But this may or may not believe. Remain simple considerations to 'stooge'.
photos taken during rehearsals
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