Filumena If you can not cry because it is poverty and the harshness of life frozen. Icon of the poor, the desperate, the most famous Neapolitan commoner, is being exploited and forced to mull over his past, that has generated poverty, humiliation that had to suffer and with which it has made woman. Francesco Rosi stages the comedy by Eduardo rigorously aware of the tremendous force of the text, the plot that captivates, the twists and turns that excite. Unfortunately, his work remains little trace. Send knows how to live their own light in spite of the directorial choices. Luca De Filippo will be harnessed through the show in your character. Faithful to the text, he shall go no out. Even when you are expecting a shot recitative after the infant's discovery of paternal feeling. The poetic realism of the world's Eduardo revived, however, in Antonella Morea and Nicola di Pinto, characters, fun, clinch the ranks of the plot. They know how to successfully make their practical jokes, all of Naples, about a philosophizing "tazzuriella de cafe. The easements, as children, benefit from the happy ramblings of Eduardo. "Filumena Marturano" a text of unspoiled freshness, highly topical, engaging, which has its primary strength of a woman struggling to assert their dignity as a woman and mother. Lina Sastri, Filumena makes her a sort of Medea, who struggle to overcome not so much about the man who continues to humiliate, but to win the battle of life. Several times during his long monologues, there comes to mind, the heroine of the classical world. The Sastri, is expressed in a dialect most closed and difficult, hard to understand, in which it highlights the different social status, this Filumena. It is language that makes it different, makes passionate and real. Monologues that everyone, on stage and in the room, listening in silence. How can one not be won by memories of that childhood, when on his father's warning, she was invited to leave. Filumena tells her feel even gripped by feelings of guilt, when hunger, stretched his fork, put in the only dish on the table, where the family fed. The magic of Eduardo, a nearly twenty-five years after his death does not end. Feelings and moods very well made also in the suggestive scenery of Enrico Job, who also recently died. An extension of the house Soriano, locked in a cage, woven mesh, where the human reasons meet and collide, look at the background, one of Naples Angevin. This is the difficult terrain that Filumena fight, win and then be released in tears. Applause again and again pressing.
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