Inside a theater to watch the swirl of characters created by the busy mind of a writer. Alessandro Genovesi Pirandello on stage with her newborn creatures, plays the young author struggling with a plot that is formed in the head and immediately comes to life on stage. "Happy Family" is made enjoyable by a good idea with dramatic cinematic, fast dialogue, short monologues, to live the lightness of comedy that intertwines many lives to tell a long daily lives of ordinary neurosis, fear of loneliness, insecurities all kinds, needs love. Yes, first love, the infinite possibilities of meeting and small and large contemporary anxieties. But the real skill lies in Genovesi's focus and dialogue with the nuances of human feelings, of playing, to arouse emotions and then abandon them and take them back again, passing in a moment from the fun to the most blatant emotion. Can invent characters that leaves you free to disagree, comment, action songs in action, even to demand changes to the side until, riding towards his fate, he in turn mixes with them permanently. Genovesi will not leave but never double as character-author, involved in the play and at the same time passionate and involved in tagging it. Scruterà faults and human weaknesses that turn into poetry for a while driving out 'the daily terror of living in half, and only to be discounted. The real education comes from its then dog that thinks in French, played by the amusing and amused Jean-Christophe Potvin. Also discovers true love but it will be the only one able to follow your instinct to the end.
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